Alexander Joins George Strait Tour
Local
musician and recording artist Dave Alexander has been invited to tour with the
most successful selling artist in country music, George Strait
Alexander will perform in
Dallas on June 10 at Texas Stadium along with fellow bandleader and friend Ray
Bensonand Asleep At The Wheel.
“It means a lot to me and I
am grateful that George keeps western music alive and well on his yearly tour,”
says Alexander, “Western Swing has always played a major role in Texas music.”
The three time Grammy
nominee has landed several awards in his career as one of the nation’s top
selling Western Swing Artists.
The academy of Western
Artists named Alexander “Entertainer of the Year” in 1999 and has nominated him
again this year for the Will Rogers Award.
He is the youngest of the Texas Playboys and is a featured entertainer
for many large rodeos in the country, appearing on his palomino horse Missy.
Alexander scored, arranged
and performed on the feature film “The High Low Country” with Willie Nelson and
Marty Stuart, which received a western Heritage Award from the National Cowboy
Hall of Fame in 1999.
Alexander resides in Coppell
with his family. For more information
on Alexander, log on to www.davealexander.com.
Take Me Back to Tulsa
The last time Dave Alexander
played for a Broken Arrow audience, it was 1974 – and he wasn’t even in Broken
Arrow.
“That was the first time
Broken Arrow had its high school graduation at ORU,” he recalled recently. “It was my graduating class, and it was a
tradition for a trumpeter to play ‘Auld Lang Syne,’ by himself, for the
class. I was picked to do it, and it
was a privilege and an honor.”
Friday, he’ll be back, this
time as a featured performer for the 69th annual Broken Arrow
Rooster Days. He’ll be brining in his
band, the Legends of Western Swing. And
he’ll be doing the kind of music his father, Ashley Alexander Jr., played in
the outfits of western-swing originators Bob and Johnnie Lee Wills.
“I met Johnnie Lee Willis
when I was about three years old,” recalled Alexander. “He was the first western-swing star I ever
met. He was doing the (Johnnie Lee
Wills Stampede) rodeo in Tulsa, and he rode in on this big black stallion. I remember him telling me he was going to
take me on a ride on that horse, kidding me, and standing there holding onto my
dad’s legs and saying. ‘No you’re not.’”
“Dad played trombone and
some trumpet with Johnnie Lee, and sometimes he and the rest of Johnnie Lee’s
horn section would go out on the road with Bob,” he added. “But that didn’t mean anything to me then.”
In fact, improbably enough,
it took an upscale department store Neiman Marcus to convert young Alexander to
western swing.
“After I graduated from
Broken Arrow, I went to North Texas State University to pursue a career in jazz
performance. While I was there, I got
selected to model the Red River clothing line from Neiman Marcus,” he
explained. “That was during the big
‘Urban Cowboy’ thing, when everyone went cowboy. Not to be left behind, Neiman Marcus created this Red River line
of products, which included chips and toothpaste and just about anything you
could wear, and then created a western band.
It was a big band, 13 or 14 pieces, and our job was to tour all the
Neimans in the country, playing music and wearing their clothes. I played trumpet and sang.”
“Our performances always
included a few Bob Wills numbers, and they caught my attention. Everything else was Dolly Parton’s ‘9 to 5’
or Eddie Rabbitt’s ‘I Love A Rainy Night’ – big band country Muzak. But the Wills music swung. We were allowed to improvise on it, and it
was the only music I’ve ever seen that got the richest people I’ve ever known
to stand up on their tabletops.”
“One night, I called my dad,
and I said, ‘We’ll I’ve got this job, and every not and then we’re doing this
great music.’ And he said, ‘Don’t you
know what that is? That’s western-swing
music, and hell yes, it swings.’”
“With typical kid arrogance,
I said, ‘If its so big, why haven’t I heard of it?’ And a couple of weeks later, about 600 hours of western swing –
his entire record collection – came to me in a UPS truck, with a ‘listen to
this, kid’ note.”
He laughed, “That music
changed my life in a big way. I loved
the music, but the recordings weren’t good, because of their era. This was about 1981, and I thought, if
someone could take that music and record it using current technology, they’d be
sitting on a gold mine. So that’s what
I did.”
At first, he enlisted the
help of his father and the legendary steel-guitarist Leon McAuliffe, a friend
of both his father and his grandfather, Ashley Alexander Sr. But as David Alexander was preparing to go
into the studio, his father and McAuliffe both died.
“I was going to my father’s
funeral in Perry when I saw the paper that said Leon had died of cancer.”
Remembered Alexander. “So I did the
first album as a tribute to them both.”
Word got around about the
project, and soon Alexander had the help of western-swing legends like fiddler
Johnny Gimble and Tulsa guitarist Eldon Shamblin. In the subsequent years, Alexander has done two more discs –
featuring a blend of veteran and younger performers – with a forth one on the
way.
A Texas resident since
leaving NTSU, Alexander has become one of the biggest western-swing acts in the
country, playing more than 150 dates last year. He’s also the longtime music director for the Dallas Cowboys
football team, writing and arranging all the music played during the
games. In addition, he produces music
for major national rodeos, including the National Finals Rodeo and the Houston
Livestock Show & Rodeo.
“I make appearances at these
rodeos on the back of a golden palomino named Missy and do a few minutes of
western-swing music,” he said. “Then
after the rodeo, my band and I do a concert.
So, at these rodeos, I promote western swing on horseback.”
He may not be doing it on a
big black stallion, but there’s not doubt Johnnie Lee Wills – and Ashley
Alexander Jr. – would be proud.